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Kind of Blue

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All sessions took place at Columbia’s old 30th Street Studio, supervised by Columbia staff producer Irving Townsend, and recording engineer Fred Plaut.

DUE SOON From the wreckage of Free came Bad Company, the English hard rock supergroup fronted by singer Paul Rodgers and featuring his drummer bandmate Simon Kirke, Mott the Hoople guitarist Mick Ralphs, and King Crimson bassist Boz Burrell.Only a handful of albums come close to this one, but they still haven’t knocked it from its pinnacle of pure pleasure and excellence. In away, the story of Ben Webster's saxophone career is the story of jazz music itself through decades of experience. The 103 third parties who use cookies on this service do so for their purposes of displaying and measuring personalized ads, generating audience insights, and developing and improving products. TLDR: Yes, the more you spend the better it sounds but fuck it do whatever sounds good to you and isn't lost on your system.

That may not mean it's the greatest jazz album ever made, but it certainly is a universally acknowledged standard of excellence. The fabled acoustics of Boston’s Symphony Hall and the magnificent tonal hues of the Boston Pops are on full display on this fanciful and festive recording. It may seem ironic that the biggest-selling album in jazz history is such a subtle and understated beast - perhaps less so when you consider it as a sublime masterpiece of subtlety and understatement. Winner of the 2018 Blues Music Awards Acoustic Album of the Year Nominated for the 2018 Blues Blast Music Awards Acoustic Blues Album of the Year Hi-Fi News Top Audiophile Vinyl Album of 2019! All-in-all this edition of Kind of Blue meets the highest audiophile standards and offers the truest sound for the most enjoyment.RCA Living Stereo classical LPs - the gold standard for top quality orchestral performance and sound! It continues to be one of the most listened-to and studied recordings of all time, a required primer for many young musicians, and one of the most transcendent pieces of music ever recorded.

Like Citizen Kane in film and Fitzgerald’s Gatsby in literature, this album is up there right at the very top. Although this session is not as structured as the three-horn efforts of the Jazztet, there is a balance between blowing and Golson's writing that makes for a felicitous blend, whether on Golson's own "My Blues House," Gene Krupa's old burner, "Drum/Boogie," or Jerome Kern's "Yesterdays. The top-selling jazz album of all time, it has been lauded, entered into “Best Of” lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody. This 1959 all-time classic is one of the monuments of jazz: So What; Freddie Freeloader; Blue in Green; All Blues , and Flamenco Sketches .It's why the label's engineers took every available measure to transport listeners to the March and April 1959 sessions that parlayed modal jazz into mainstream language. Here we hear a blowing session that matches him with fellow tenorist Harold Ashby in a program of loose originals.

This speed issue affected the album’s first three tracks, “So What,” “Freddie Freeloader” and “Blue in Green,” making them a barely perceptible quarter-tone sharp. In 1969, he recorded Bitches Brew, a blend of rock, funk and jazz music, often taking the name “Fusion”. A first rate orchestra (The Boston Pops), a distinguished conductor (Arthur Fiedler), and a superb pianist (Earl Wild) combine to make this landmark recording something to be treasured. In late 1958, after some eight months, Bill Evans – the only white member of Miles’ group – left the lineup and was replaced by Wynton Kelly.There's also the matter of its status as the most-referenced, and arguably, most important, jazz recording of all-time. In the edit page, go to the 'Metadata' tab and add your Juno artist, label or release page for listeners to purchase your release / releases. We use cookies to personalise content and ads, to provide social media features and to analyse our traffic.

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